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There’s just so much to love about Mellotrons: their simple electro-mechanical design: using tape, springs, rollers & levers; their sound (the attack sound made by the tape head being depressed is wonderful, and I personally enjoy wow & flutter); two keyboard sections with different voices; swappable/customisable sound sets (albeit with effort); their temperamental response to abuse; and how they require a specific playing technique in order to avoid hitting the 8 second playback limit.
Pretty much every 60s psychedelic and 70s progressive rock band has used one at some point, as have many musicians and producers since then. One hell of a legacy for a device who’s core principle is so easily diagrammed as above.
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Hrm, something seems to be missing from this instrument but I can’t quite determine what.
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I bet she’s heard the line “Can I run my fingers along your skirt?” more than once.
And possibly “Can I tickle your ivories?”