Video 23160532274:
I Dream of Wires: Carl Craig - Modular Pursuits.
“I get a little… a little crazy about it. Um. Y’know how many filters does a person really need? I got a lot of fucking filters, y’know?”
I Dream of Wires: Carl Craig - Modular Pursuits.
“I get a little… a little crazy about it. Um. Y’know how many filters does a person really need? I got a lot of fucking filters, y’know?”
Dangerous Minds | John Peel’s Record Collection: Online from tomorrow, May 1st
John Peel’s Record Collection will go online tomorrow, 1st May. The John Peel Center for Creative Arts will start uploading details of the DJ’s famed collection. Each week 100 discs will be made available, covering every genre of music, and unveiling 2,600 albums over the coming 6 months.
Stockhausen on music culture and the state of human evolution.
Wow …
from the link:Sound Clip: Gilligan by Rick Scott
To produce this track, the artist writes that he:
- Acquired the theme music to the original Gilligan’s Island tv show (1:35).
- Played it at .1 to .5 times its original speed in grains from 1 to 1000 ms long.
- Added resonance/delay/reverb.
- Mixed panned forward and backward versions.
- Did minimal mastering (no compression).
The cover of March/April’s Tape Op magazine, illustrating various sonic concepts with drawings of bunnies.
Great music slumbered in him, but it never came to such an awakening as he himself dreamed of and heard in his soul.Anton Prokesch, friend of Schubert. (via schubertiade)

Aleph Null - Rocket 303 to Cosmos 808
In lieu of anyone more qualified stepping forward, it fell to me to contribute this April’s pattern to the SoundCloud monthly acid group. (A high-resolution transcription of the pattern can be seen here for better legibility and easier programming.)
My version has - at least to my ears - an early 90s spaced-out techno-trance vibe to it; the blame for which I place on finding my folder of miscellaneous astronaut transmission recordings. Also, I’m pretty sure Pete Namlook is partially responsible somehow.
I’m really looking forward to hearing how other folks in the group interpret the pattern. DyLABs has already taken it to a very cool and crazy place.
Bambaataa stood at the back of the crowd with a smile on his face. He whipped out his cellphone to snap a photo of the band during “Numbers,” just like all the fans standing next to him. During the opening strains of “The Man-Machine,” he began air-keyboarding along with the melody line and mouthing the lyrics (“Machine machine machine machine machine machine! Maaa-chine!”) and grinned ear to ear when the group kicked into “Computer World.
[]D
(via goatfalcon)